I recently watched this 1967 film for the first time in many years. I was amazed how my perception had changed over time. "Two for the Road" was originally billed as a romantic comedy, but it takes a thought-provoking look at relationships and marriage. What I once saw as a vehicle for Audrey Hepburn in some great clothes, I now realize was a tragi-comedy with a questionably happy ending.
This time, too, I realized the power of those clothes. Someday the art of the cinema wardrobe will be better recognized for the role it plays in movies. Not just the gaudy and/or delicious costumes, the ordinary "stuff" that defines a character.
As in life when we adopt different styles, to blend in or define who we are, Audrey's character is identified by what she's wearing. Director Stanley Donen had to make that clear as he chose to trace 12 years in the relationship of Joanna (Audrey) and Mark (Albert Finney) in scenes that flash in and out over time.
As student Joanna in the mid '50s, Audrey wears blue jeans and a pullover sweater. These are the clothes of someone happy to blend with her contemporaries, but they are timeless choices as well. I wonder if Donen was trying to say something about the timelessness of first attraction?
Newly married, her clothes are a bit more grown up. There's a trench coat in one scene. I remember thinking that was a "must-have" when I was a young working woman. She becomes a mother, and it's practical tops and bottoms. The present-day (1967) Joanna, wife of now-successful architect Mark, wears the latest fashions (and looks fabulous). This was a "new", sophisticated Audrey. I remember coverage in the fashion press of her cropped hair and outfits from the film.
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| Suit by Michele Rosier, Vogue, 1967 |
By this time Audrey Hepburn was associated with Givenchy as her designer of choice in films and private life. In "Two for the Road", however, Audrey wore "off the rack" clothing, including some fancy racks like contemporary stars Paco Rabbane, Andre Courrèges, Mary Quant, Michèle Rosier, Foale and Tuffin, and Ken Scott.
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| The fabulous Paco Rabane outfit |
Hair plays an important role as well. Because of the flashbacks it was important to easily determine the year of the relationship, and the hairstyles do that fairly well. Joanna as student has simple Alice in Wonderland hair. Newly married, she has bangs. A few years on she has her hair short and fluffy. As a mother, it's simple and long again. The 1967 Joanna has short hair precisely cut in the Sassoon style of the day.
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| Student and newly married... |
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| Young married and mother... |
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| Sleek sophisticate |
Something else colored this viewing of "Two for the Road". Audrey's marriage to Mel Ferrer was breaking up; they divorced shortly after filming. I have it from a very good source that Audrey and co-star Albert Finney had both great on-screen and off-screen chemistry. It was in fact a serious affair; in the end Albert Finney broke her heart. Audrey needed time to recover, and my source provided her with a safe haven. I can't say anything more unless the lady herself wishes to, which I doubt. Knowing that, the "chemistry" is like watching fireworks, bittersweet on account of Audrey's eventual heartbreak.
When I initially saw "Two for the Road", I had not yet found my own Mr. Right. I only saw the surface gloss—from the bloom of young love to that (possibly) happy ending. Today I know it's not easy for relationships to survive, but they can and do.
Amazingly the fashion in "Two for the Road" still looks good and wearable after 50 years. That may have been Audrey Magic and why she remains a style icon to this day.
