We saw this dress by Giambattista Valli--worn by Zendeya--during the Spring/Summer '18 edition of Paris Couture week. We felt the original dress was absolutely sumptuous. The only thing is that there is so much fabric, it can overcome a doll's body rather quickly. For that reason, I decided to show a flash of leg for the 1/6 replica. This version. worn by China. was made as a two piece dress. The top is simply a slightly oversized smocked top with one sleeve, worn over a gathered skirt. Each piece is gathered into a ribbon which helps keep the dress slim around the waist.
It is rare to see a stand-out outfit amongst the men in attendance. So when I saw Olympic figure skater, Adam Rippon in this very unusual tuxedo, it caught my eye. Yes, it was quite controversial--some even calling it S&M, bondage.... And as I was busy making the harness, it even had a sinister military air to it. But at the end of the day, it was an intriguing outfit that I had a fun time putting together. And Sean, pictured here, was pretty happy to get a red carpet outfit!
Here's another example of a look that conjured many emotions. When Taraji P. Henderson walked onto the red carpet, this instantly caught my attention. Very daring, it really doesn't reveal as much flesh as one would think. Vera Wang used a lot of flesh tone fabric underneath the sheer black to give the impression of nudity. Again, I did this dress in two parts. The skirt is a no-brainer, but the top gave me a bit of a challenge because of the differences in body shapes. Taraji is nice and curvy while Janice is skinny with a tiny bustline! After struggling with the bodice, I finally settled on cutting the top in a single piece (suspended from a wire necklace and sewn into a ribbon waistband) and slitting it up the center!
It's all about illusion! When replicating a look, what is important is to find a 1/6 solution that resembles the finished full figure dress. Gal Godet's dress by Maison Givenchy, is an art deco maze of sequins and beads. The temptation is to replicate it using the same fabric. However, for the Veronica's dress, I used a dark silver stretch lame. Over the top I used a little iron on rhinestones, but for the "sequinned fringe" I slashed strips of the same lame into fringe and stitched four rows onto the basic slip dress.
There were a few of these super simple gowns on the red carpet, like the Gabriela Hearst gown worn by actress Danai Guirira. The secret to making such a simple gown, extraordinary lies in the choice of fabric! The pattern is simple: a strapless sheath with a train gathered into the back. The fabric is sheer luxury: peach silk satin. Grace, our model, also suggests the addition of "regal" accessories: white opera length gloves and lots of pearls!!!
Mary J. Blige certainly has added a special touch to the red carpet this season. Again, this Versace dress is something we see as easy elegance. Easy to wear, easier to make! I started out with silver stretch lame (minidress) over which I wrapped a white sarong skirt. The small epaulets are pleated silk stitched to the neckline.
Sandra Bullock's dress by Louis Vuitton is one of those dresses that looked so comfortable, so glamorous....like gold poured over a simple black Grecian gown. Of course, the look relies on this particular fabric. I didn't have that fabric, but I did have black jersey and the materials to do a little foiling! This is actually a simple tent dress pattern I pulled up to one side and pinned!
I almost didn't replicate Chadwick Boseman's Givenchy suit, worn here by Jamal. But the doll begged me and pointed out how I've been neglecting the Ken dolls in the house. And so....with the film "Black Panther" so much in the headlines, I couldn't say no to making him such a regal suit. All three pieces are basics: shirt, pants and straight coat. I've simply added silver embroidered trim around the shoulders.
Hubert de Givenchy (1982) Photo: Luc Castel. Captured from http://magazine.bellesdemeures.com |
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